I don’t think this is actually a perfect set - if memory serves, a deeper red would actually fit the green and blue better. Specifically, the three filters I’m using (seen above) are a Wratten 29 (red), a Wratten 61 (green), and a Wratten 47 (blue). The three filters used in an rgb (trichrome) color separation photo. Here, I’m using the logical combination of three primaries - red, green, and blue. By recording a series of images (in this case, three), each containing a different isolated color element (which we might refer to as a channel), we get pieces of a whole that can be reconstructed to form a color image. How? The oldest color-reproduction trick in the book - color separation. Yet, as is plainly visible, a full range of color has been reproduced. The above image was shot on Fuji Neopan Acros, a standard black and white film stock.
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